Misty also struggles with her assignment. It’s unclear if she finds that purpose in the wilderness, but the subtext here is that Van is staring down death yet again in adulthood, and there might be a reason for it. The wilderness has spared her countless times, and she’s wondering why that is. The wilderness echo of this moment between Tai and Van is a conversation in which Van asks what her purpose is. This explains the pill bottles and the overdue bills. Van also admits to Tai that she has an aggressive form of cancer. Has Tai called to check on her or Sammy or even Steve once?! I hope someone is taking care of Steve, is all I’m saying. It’s exciting because there’s still love between them, but there’s also the matter of Tai’s wife, Simone, who’s still in the hospital. Later, Tai takes her wedding ring off and finds Van curled up with a bottle of tequila. Fun! Just like Shauna, she stops Lottie as she’s engaging in this ridiculous treatment, and Lottie offers her words of affirmation regarding her “other you.” Echoing a scene from the wilderness, Lottie tells Tai that her ”other” self might not be something she wants to bury. We can see that Tai has painted a small swatch of yellow on the building with the word “fuck” in all caps above it. Tai chooses “Renewal,” which is painting the side of a building with a teeny paintbrush. When Lottie tells Shauna that she doesn’t have to kill the goat, Melanie Lynskey’s “Oh, Bruce!” delivery is both hilarious and heartbreaking. Lottie listens with compassion, and Simone Kessell even finds a way to raise her eyebrows in a way that acknowledges the loss of the baby in all of Shauna’s existential mess. As she struggles with her assignment, she hunts down Lottie and starts spilling tea. She’s fully convinced that she’s going to have to kill the goat at the end of the day because why wouldn’t she? All of her repressed trauma has imprinted upon her, telling her that she will inevitably be faced with losing everything she loves. Shauna selects “Self-Care,” which turns out to be watching a baby goat named Bruce. There’s a zesty, playfully catty energy in the air when Shauna, Tai, and Van check-in and choose from a menu of woo-woo therapy options. In the present, it’s refreshing to finally see the adult survivors together. Fans have been theorizing about this concept for a while, and if true, it certainly brings the ritualistic hunting from the pilot episode into starker view. Lottie disagrees, saying that the wilderness “doesn’t trade or haggle,” but it is a bit odd that every time there’s some sort of injury, harm, or death, the rest of the group benefits. Melissa wonders aloud if the deaths of the baby and (presumably) Crystal will now bring them something good. The concept of death potentially paying for life is explored via Gen and Melissa, the once-peripheral characters who have now become a de facto Greek chorus in the wilderness. Just like there are stages of grief, this song underscores that there are also stages of life, and both the video and the intense lyrics affirm that life is a cycle of give-and-take that isn’t often fair, but everything balances out in the end. The music video for the song focuses on a woman giving birth with an angel hovering nearby and another woman dying at the same time. “Lightning Crashes” was released in 1994, so it was a cultural touchstone for the Yellowjackets before the crash. Yet, while Nirvana sets the solemn tone for this moment, the themes of “Lightning Crashes” by Live - yet another stellar ‘90s needle drop that comes later in the episode - provide a narrative backbone writ large. As the snowstorm rages on outside, the group hunkers down, unable to escape the aura of unimaginable grief that saturates the air inside the cabin. The episode begins with a chilling Nirvana needle drop as “Something in the Way” plays over the direct aftermath of the baby’s death. However, directly on the heels of the devastating loss of Shauna’s baby after “ Qui,” Shauna is moving through the stages in a textbook manner as she’s shifted from a state of denial to straight-up rage. For most people, these phases do not occur in any specific order, and individuals can cycle through each emotional state more than once. Elisabeth Kübler-Ross, there are five stages of grief: Denial, anger, bargaining, depression, and acceptance. “Burial” is available to stream now via Showtime Anytime it will make its Showtime network premiere on Sunday, May 14, at 9 p.m. Photo: Kailey Schwerman/SHOWTIME/Kailey Schwerman/SHOWTIME
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |